Amroha At A Glance

Amroha is a very old township. Local theories of the origin of its name differ. One derives ‘Amroha’ from the Sanskrit word “Amrovanam, the region of mangoes” another is that the name is compound of “Aam” (mango) and “Rohu” (a Kind of fish), whereas yet another traces the word of Raja Amarjoda of Bansi empire, who was in 474 B.C. named the region Amroha.

Historical buildings:

  • Moradabadi Darwaza: The historical buildings of Amroha begin with the fort wall, remnants of which still stand. The wall had several gates. The Moradabadi Darwaza, built by Syed Abdul Majid in 1642 A.D., is the only extant gate. Road passing through this gate connects Amroha with Moradabad. It is built of Lakhori bricks. It is about fifty feet high. Amroha is richly endowed with monuments. Several mosques, dargahs, imambaras, madarsas and mandirs.
  • Ashraful Masajid: “Ashraful Masajid” in Mohalla Shafaat Pota, belongs to Shia Muslims. It was constructed by Shaikh Ashraf Ali Azimabadi in 1817 A.D. which is a beautiful and well planned mosque. It has seven cusped arches, the central one bigger than the others. It is having three decorated domes, two high minarets. It was ones repaired in 1867 A.D and has gone under massive renovation in recent past. Amroha also has one `Eid Gaah’ for holding Id-ul-Fitr and Id-al-Azha prayers. This was constructed by Ghulam Ahmed in 1764 A.D.
  • Vasudev Teerth: There are some old monuments in the complex of “Vasudev Teerth”. There is a tank about 40 meters x 40 meters in area. In the middle of the tank there is one small “Hanuman Mandir” for which there is no direct approach as it is surrounded by water. On all the four sides of the tank there are temples. It is considered as the oldest temple of Amroha.
  • Dargah Shah Vilayat: When Shah Sharfuddin came and settled at Amroha, Shah Naseeruddin Chishti, who had long been settled there and considered Amroha as his vilayat, came to know about that he had a “mug” full of water sent to Sharfuddin meaning by this that Amroha – his Vilayat – was full like “mug”. In reply Shah Shafuddin put a flower in that “mug” filled with water meaning that though Amroha was already full, he would live in that place like that of flower in the “mug”. Undeterred by the opposition of the Chishti Saint Shah Sharfuddin settled down at Amroha and adopted the title of Shah Vilayat. Even today he is called Shah Vilayat by the people of Amroha. Enraged by Sharfuddin’s intention for settlement at Amroha Naseeruddin cursed that after the death of Sharfuddin scorpions would be found around his grave. Sharfuddin restored that those scorpions would not sting and that asses would be roaming about near the grave of Naseeruddin. “But these asses” asserted Naseeruddin, “would not dung.”

The dargah of Shah Sharfuddin Shah Vilayat has an enormous complex of different tombs. Its entrance is a roofed gate. Outside the dargah there are old structures all around — graves, gardens and ruins. An old creeper from the grave of the daughter of Shah Vilayat is called as “Choti” which is climbing on the tree. It is said that her real choti remains outside her grave which was later on converted into a creeper giving the resemblance of a “Choti”.

[ad#468]

Syed Khamis Ali

Syed Khamis Ali

Syed Khamis Ali S/o Late Jb. Mohd Munawwar Naqvi Moh. Darbar-e-Shah wilayat (Lakda) Amroha. Currently residing in Zakir Nagar, New Delhi, founder 'Capra India' and ' ShahWilayat Goat Farms' worked with Larsen and Toubro Ltd. as a chemical engineer (Oil & Gas sector).

More Posts - Website

Habib Tanvir: The soul of Indian theater

Habib-Tanvir

Habib-Tanvir

Habib Tanvir was one of the most popular Hindi playwrights, a theatre director, poet and actor. He is the writer of plays such as, Agra Bazar (1954) and Charandas Chor. He is most known for his work with Chhattisgarhi tribals, at the Naya Theatre.

THINK OF Indian theatre and culture, the very first image that immediately conjures up is Habib Tanvir. He was a trail blazer, a pioneer in Hindi theatre. Like Gandhi Ji, for him the real theatre existed in villages.

He started his literary career as a poet with a pen-name “Tanvir” and very soon graduated as full time playwright, director and actor. He loved challenges and difficulties and succeeded in overcoming them. Born on Sept 1, 1923, in Raipur (Bihar at that time) he did his BA from Morris college Nagpur in 1944, and MA from Aligarh Muslim University.

His uncle used to stay in the interior of the Bihar and his regular visits to them brought him near to country folks which fascinated him. In 1945, he moved to Bombay and joined All India Radio (AIR) Bombay as a producer, while in Bombay, he wrote songs for Hindi films and even acted in a few. He also joined the Progressive Writers’ Association (PWA) and became an integral part of Indian people’s Theatre Association (IPTA) as an actor.

He moved to Delhi and joined with Qudsia Zaidi’s “Hindustani Theatre.” This was one of the most important periods of his life. He met Moneeka Mishra, an upcoming actor-director, whom he was to later marry. The same year he produced the hall mark drama “Agra Bazar”. It was based on the works of 18 century writer Nazir Akbarabadi. In this play he used the raw talents from the Okhla village and student of Jamia Millia Islamia. It was a unique experiment is the sense that it was staged within the four walls of a hall but in market place, open bazaar. It was a great success and inspired him to experience further with Chattisgarh folk artists. “Chanrandas Chor” was one such adventure where the highlight was the Nach – A chorus, a narration through Chattisgarhi folk songs.

His theatre has always been known for its utter simplicity in style, presentation and technique. Despite all that austerity his plays were eloquent and powerful with a deep story line. One could see the progressive glimpses of European fads intelligently blended with Indian values in his experiments. He was trained in Royal Academy of Dramatic Arts in London in middle fifties.

In 1990 he took up the direction of “Zahreele Hawa” based on Bhopal Gas tragedy.

He had his share of controversies as RSS and BJP didn’t spare a secular Indian artist like him from roughing up for his “Ponga Pandit.”

The doyen of Indian theatre died on 8 th June 2009 after a brief illness and the world of theatre lost a worthy son.

Naim Naqvi

Naim Naqvi

Did his graduation in Science discipline from AMU in 1972-73. He was Secretary of University Ali Society in 1970 and M.M. Hall Literary Society in early 70 's and member of Tayyabji Literary Society. Did his Diploma in Bakery Administration from HTT College Oxford Street London in 1987. Worked with National Herald - Delhi, Blitz - Bombay as Trainee Journalist and in Production Department with 'Naya Sansar Pictures' of Khwaja Ahmed Abbas at Bombay in early 70's. Traveled for study and training purposes to Germany, U.K., Switzerland, France, Dubai, Oman, AbuDhabi, Bahrain and Philepines.

More Posts